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moonshine-nightlight · 1 year ago

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Nothing's Wrong with Dale: Part Thirty-Two

It’s been a week, but you’re fairly certain your fiancé accidentally got himself replaced by an eldritch being from the Depths. Deciding that he’s certainly not worse than your original fiancé, you endeavor to keep the engagement and his new non-human state to yourself.

However, this might prove harder than you originally thought.

Fantasy, arranged marriage, malemonsterxfemalereader, M/F

AO3: Nothing’s Wrong with Dale Chapter 32

[Part One][Part Two] [Part Three] [Part Four] [Part Five] [Part Six] [Part Seven] [Part Seven.5][Part Eight] [Part Nine] [Part Ten] [Part Eleven] [Part Twelve] [Part Thirteen] [Part Fourteen] [Part Fifteen] [Part Sixteen] [Part Seventeen] [Part Eighteen] [Part Nineteen] [Part Twenty] [Part Twenty-One] [Part Twenty-Two][Part Twenty-Three] [Part Twenty-Four][Part Twenty-Five] [Part Twenty-Six] [Part Twenty-Seven] [Part Twenty-Eight] [Part Twenty-Nine] [Part Thirty] [Part Thirty-One] Part Thirty-Two [Part Thirty-Three] [Part Thirty-Four]

While the luncheon was laid out in the great hall and the guests were encouraged to enjoy the grounds and gardens, you and Dale are tucked away in the administrative wing of the estate.

After the knot tying you together was carefully burned, you headed to grandmother’s public office, where she receives officials and conducted business with the many administrators that were needed to keep Northridge running.

With the sacred ceremony complete, there is still the matter of the legal one.

“Thank you, Mr. Murray, Miss Adir,” Dale says to his valet and your maid. “My spouse and I will wait for my grandparents and you may return to supervising the packing of our belongings.”

A small smile graces your face at Dale’s words because they drive home that he is no longer your betrothed, but your spouse. Your husband. Yours.

“Yes, my lord,” the servants chorus, enough amusement in their eyes that you’re not certain they entirely believe in the necessity of Dale’s request. Well, the reasoning is sound, but so is the idea that two newlyweds might want a few moments alone together. They depart without any fuss.

Dale immediately looks around the room, his expression intent enough that it pierces your light mood. You frown and ask, “Is everything alright?”

“Yes, of course,” Dale says. “I was only—there it is.” He strides behind Grandmother’s desk for a pitcher of water. “Just thirsty.”

Watching how he swallows nearly a whole glass with a grimace, you frown. Cautiously, you ask, “Are you certain that is all?”

“I—,” Dale starts to brush off your concern, you can see the dismissal in his body language before he pauses. “Oh, I, everything is fine. My throat is simply sore. This water is more than adequate to soothe it.”

“The holy water did hurt you,” you say—it's not a question.

Looking almost sheepish, he nods. “I was very diligent in my preparations this week, very pious.” He sounds a little defensive, likely due to you telling him you figured out what he was. “I visited the monsacrin every night for a blessed drink. The sanctif let me take them away with me. I wanted to ensure I would not be overcome today. However, my throat is still sore.”

Tolerance or practice? is your first thought. Was he doing something to his throat to mitigate contact, as you think he might have when the sanctif demonstrated his detection lens on Dale’s hand? Or did he merely practice drinking holy water in private until he could do so with a straight face? Neither are cheering thoughts, although you feel guilty at being reassured that this morning was not a plan developed in advance. That he’d in fact been doing the opposite. “Is your throat burned in some manner? Or are the muscles in some way affected?”

Dale blinks at you before he grins. “Are you certain you are not a true physician, sana?”

“Dale,” you warn despite his flattery, not wanting to be easily diverted from your question.

“Some of each,” he tells you easily enough, although not until after a second long drink from his water glass. “The muscles are a bit stiff, the lining a bit damaged. I did need to continue to breathe and swallow so I could only pull back my physical influence on this body so much.”

Good to know. You had been wondering. You reach into your pockets, glad your full-size pockets had still been able to fit unobtrusively under even this fine gown. “I have a tea blend with me that soothes the throat, although it will work better with honey.” You join him at the cart with tea supplies, taking the kettle and settling it boil. “Grandmother occasionally enjoys some as a sweetener, but we could also send for it. That shouldn’t provoke any notice.”

“The licorice tea?” Dale sounds hopeful as he peers over your shoulder. The feeling of him so close is more distracting than you wish it was. You want to focus on making him feel better, not on how you can sense his body behind you and how you want to lean back just enough to touch. “I used it the third night to great effect.”

You stop what you're doing, turning to frown at him. “But it didn’t help the other nights?”

Dale shrugs, reaching around you to pluck a small jar from the other side of the sugar bowl. He sets the honey next to the cup you’d selected. “I only had the one bag.”

“Why did you just ask for more?” You’re more confused than offended. “Even if I didn’t know, I’d happily have given you more tea.”

Dale holds very still, still enough you notice, at your words. His eyes darken, pupils expanding just enough to make them look inhuman. You wait him out, now able to recognize when he needs time to think. He blinks only a few seconds later and he merely shrugs helplessly. “That did not occur to me. I’m rather used to being on my own.”

“Well, you’re not anymore,” you say, unable to think of anything else. You swallow down all your questions about what part of it didn’t occur to him or questions about his solitary past. “So next time, ask me for help.”

His smile is indulgent and pleased. “Yes, sana.”

The kettle whistles causing you both to jump. Dale reaches around you, taking half a step towards the hearth. You turn back to the cup you’re fixing for him, pulling the honey jar closer, when Dale lets out a quiet noise of surprise. Before you can turn to see what’s happening, his large hand lands on your waist. You barely keep from letting out a surprised yelp as his grip tightens just enough to make it clear he’s using you to steady himself from his position, half leaned down to reach the kettle.

“My apologies,” Dale says as he straightens and lets go of you. You can feel the ghost of his touch and you’re surprised by how much you want it back. “I lost my balance for a second.”

“You should set the kettle down and fetch your cane,” you say, pointing to the heat resistant mat for the freshly heated kettle. You do not want him to trip again while holding it.

“Yes, I should,” Dale says to you as he does just that. He rejoins you at the serving cart with his primary cane, the one with the jade sword in it. He adds, almost to himself, “And I thought my balance memory had been improving.”

You add the appropriate amount of honey and stir it for him. Usually, you let such comments slide, and you’re fairly certain this one was only said because he knows you know now, but perhaps because you do know you, and the two of you are alone, you can ask, “Balance memory?”

“Memory to balance is perhaps more accurate,” Dale replies absently as he leans on the newly gotten cane and accepts the cup of tea you prepared for him. He inhales appreciatively and takes a sip, not bothering to attempt to blow on it to cool the hot tea. Whatever the holy water did to his throat, it must not be a normal burn—temperature never seems to bother him. “Delicious,” he rasps after finishing half the cup at once and with an appreciative smile at you.

You feel the heat rise in your cheeks, but it must not be too obvious as Dale appears to notice your confusion over his words more than anything else.

He clears his throat, looking a bit more nervous, as he says, “I, well, typically—that is, prior to being Dale, my form was amorphous and adaptable to my needs to a far greater extent.”

He’s watching your expression closely, clearly ready to stop talking if you…if you what? Look afraid? Or bored? Angry? You don’t know so you try to look neutrally curious as best as you can.

He continues, “If there was a dip in the ground or someone bumped into me or I leaned over too far, a limb would simply… adapt.”

You desperately want to know more but the moment feels fragile, Dale so cautious about talking openly about himself so you try to keep your words soft and simple. “How?”

“Growing longer, short, thicker.” Dale shrugs. “Whatever would be helpful to keep my balance. In physical activity or altercations, I would have been maintaining tight, conscious control over my form as a matter of course and so it is now. However, when not paying it much mind, during routine movement…”

Of course, you realize, it's no different than how you think of such things—you pay attention when stairs are steep or you’re wearing a particular item of clothing that you need to move differently in, but you don’t think about how to walk when nothing is unusual. It’s beneath your general notice. “You didn’t have to give it any attention.”

“Correct.” Dale looks relieved you understand. “And so in such circumstances, even now, my instinct is to flex my form, but I should not—and cannot to some extent now. So I falter instead. The cane is helpful as a reminder and as an aid.”

You ponder this as Dale drinks. What other instincts must he be fighting or controlling? You’d thought him careless, and perhaps he was at times, but in retrospect, his more obvious missteps seem to be when he was new to Dale or when he was particularly distracted or hungry. Thoughtless, but not careless actions.

“Thank you for the tea,” Dale’s voice interrupts your thoughts and you see him setting the empty cup back on the saucer. He seems a bit subdued, or cautious, but perhaps he’s only attempting to be gentle with his voice on his throat.

“You’re certain you don’t need anything more? Nothing else burned you?” You scan his features for hints of holy water or sacred wax burns. You try not to get caught up just looking at him. His face is more his than the original Dale’s now, at least to you, and it's more attractive for it.

“No, no, the wax wasn’t pleasant, or minimizing my influence wasn’t, but it's already removed.” You look down and see the white wax, which still sticks loosely to the back of your hand, has already fallen off his, without leaving a mark. Or perhaps Dale had subtly flicked it off once out of the monsacrin.

“Good, good. While waiting for the ceremony to start, I’ll admit I began to worry that even the amount of light might be too much.”

“No, no. I’m not abyssal, I’m a sort of shade.” At your look of continued confusion, Dale carefully elaborates, “Shadow, not darkness. Shadow needs light to exist, it’s why we’re close to the surface even in the Depths and why we’re more able to handle the Surface, even if we need a vessel. I could suffer some negative effects if left exposed in strong direct sunlight, but to my understanding, so can humans.”

You're startled at the comparison, but he’s correct. “Yes, no one appreciates being sunburned.” Your mind spins with new information, is it going to be this easy to discuss such matters now? Will you finally be able to get to know all the things he’s kept hidden?

“Quite.”

The sound of the door opening is surprising enough you both turn quickly towards it. Dale’s hand goes to his sword without thought, only for Grandfather’s voice to be easily heard as Steward Bilmont walks in.

“…not a cloud in sight,” he’s saying, “the best sort of luck.” You think there’s an underlying irony to Grandfather’s tone that’s more humorous than worried now that this morning’s events have been resolved favorably. It reminds you of when Dale says things you thought were asides about his nature to you but evidently were only to himself.

“It was beautiful,” your mother answers, satisfaction in her voice that reminds you of when she finishes negotiations on a particularly favorable trade contract.

“There they are!” Grandmother announces as the group enters the room. Any wonder regarding if she’d been informed however briefly that the wedding had been called off is put to rest. There’s no chance Grandfather even hinted at such a thing. She pulls Dale into a hug, placing a kiss on his cheek, before tugging you over as well. She has a surprisingly strong grip.

“Congratulations, I am so happy for you,” she continues, joy evident in her expression. She focuses on Dale. “My grandson, married.”

“Grandmother,” Dale says, fondness evident in his voice.

“Yes, yes,” she pulls back, straightening his jacket. “You are not here to listen to your Grandmother’s pride. You are here for your own.”

“Grandmother,” Dale repeats, sounding a little more exasperated.

Grandmother just winks before turning to her desk where her secretary has begun to arrange the paperwork required for officially swearing in yourself and Dale as the reigning couple running Northridge.

“My child, you did well.” Your mother pulls you into an embrace as well, her flowery perfume overwhelming, but the hug is appreciated as is the sentiment. Asher does too, the only sibling present since he’s the one inheriting Portsmith, while your father works with his secretary on arranging the Portsmith paperwork.

Callalily had to do something similar, sign the contracts clarifying her and her descendants' place in the inheritance order since she’d also married an inheriting lord. You’re not sure what Marigold had to sign. It was likely just a formality given her intention not to have children and her spouse wasn’t likely to inherit either. Douglas remains where he is, no marriage plans in sight—and nothing you’ve seen of him these past few days changes that impression, his sacrifice to distract mother aside.

“Dale, this is for you,” Grandfather presents him with a new, exquisite pen which Dale accepts with appropriate gravity and gratitude.

The actual signing of the paperwork is rather boring, but you appreciate the continued respite from crowds. The Northridge charters are the more complex and there are a lot of them. The various papers solidifying what it's yours solely, what authority Grandmother and Grandfather maintain, what would cause any changes to that, Northridge’s succession line. That document does prompt a significant look from Grandmother as after Dale, the fief would go to Dale’s cousin Ferdinand and his child. Luckily she doesn’t actually say anything about heirs—yet.

Instead, she presents Dale with his signet ring—from one Lady of Northridge to her heir. Grandfather gives you your own too and the smile on his face as he does so convinces you that any suspicion he once had for you is in the past.

There is a new formal inheritance list for Portsmith that’s officially signed too, placing yourself and Dale properly in the order along with any future children you might have—the typical rules that Northridge’s heir could not also inherit Portsmith are laid out. Some wish to combine fiefs, but those tend to be people who are particularly ambitious, new to nobility, or neighbors. Most wish to keep traditions and holdings separate. Not to mention the combination of certain fiefs is severely scrutinized by the Crown.

Of course, most of this is hypothetical and not expected to be needed. Asher has plenty of children to carry on the Portsmith line. Still, your family likes to be thorough and the Northridges have had enough surprises in recent succession to agree.

Since all the details had already been worked out, and no one tries to throw last minute spanners into the works, the whole process goes smoothly if a bit long. You sign the Northridge paperwork first, allowing you to sign the Portsmith ones with your new Northridge title. All the witnesses sign as well and it’s done. You’re now officially of Northridge and Dale is the reigning lord.

As soon as celebratory drinks are in everyone’s hands, Grandmother escorts the group to their family hall. It's clear this is the portion of the inheritance tradition she was looking forward to. “Right this way, we have had everything prepared, but even I have not laid eyes on the new additions.”

Your country home had something similar, but far less official—all the portraits are from different eras and hopelessly outdated. You think yours is from when you went off to schooling at fifteen, which perhaps isn’t too long ago, but Marigold’s is when she was that age too. There are other more recent portraits throughout the manor, but a family portrait gallery isn’t particularly important to Portsmith traditions. The city estate at the port doesn’t even have that—gifted portraits or those bought to curry favor with different interests are what decorate its halls.

Northridge’s family hall is large and organized, with multiple portraits for family members at significant stages in life going back generations. With Dale’s marriage and inheritance, Grandmother has commissioned new portraits of him and you together. You sat for the painting when you first arrived, most of your figure had been completed before Dale arrived home, with only a session or two sat together. It had been a quiet, stiff affair and you’d been grateful when you could leave the painter to his work. You had stopped by his studio in the city, allowed him to make the adjustments and touch-ups he felt necessary, but they had not been terribly long.

When you finally come to a halt, there are not one or two portraits covered in sheets for a dramatic reveal—Grandmother insisted—but three.

You’d been shown around the gallery when you first arrived, paying most attention to Grandmother and Grandfather’s as well as Dale’s parents and only coming back for a refresher when more of Dale’s family had begun to arrive. It is still grand and intimidating, more so with yourself being added now.

“We are going to have a new portrait commissioned as well,” Grandmother says as they walk by her and Grandfather’s most recent portrait from at least twenty years ago. There’s a severity to them and a grief that tells it was only a few years after the loss of their son and daughter-in-law. They deserve to have a happier portrait hanging. The Northridge coat of arms, which used to hang above their portrait, has already been moved to hang over the unrevealed portrait of yourself and Dale. The wall above them looks strangely bare with its removal.

You gather around the unrevealed paintings in a half circle and Grandmother waits for everyone’s attention. “To commemorate your rise to Lord of Northridge and your marriage, there are three portraits to reveal. Firstly, I am delighted to reveal the official portrait of Dale Tiberius Archibald Remmington Quincey, Lord of Northridge.”

Bilmont pulls back the blue cloth to show the portrait of Dale in his black, white, and blue suit, the one which mirrored the Northridge colors on the crest now a few feet above the still hidden joint portrait. It too had been started when Dale first arrived, before the current Dale had taken over, and some of the original Dale’s arrogance and haughtiness is evident in his posture and the line of his back.

Still, the artist had seen Dale since he’d changed and there are hints of that throughout. His stare is direct but less condescending, the blue of his eyes more vivid, but also kinder. He looks, not older, but more mature—the youth in his fearlessness tempered. It’s a masterful blend of both Dales and you’re relieved that it leans towards the new Dale without making the contrast between this portrait and the one prior to his travels too stark.

“It is lovely, Grandmother,” Dale says, giving her a kiss on the cheek.

“Of course it is,” she preens. “I was certain your travels and return would help you to grow into this responsibility. This portrait makes it obvious, how much you have matured into the man I always knew you could be. I am certain your parents would be proud of you.”

Dale is obviously at a loss for words and so are you, feeling a pang of pity for Grandmother, who could not see what her grandson had become nor that he is gone. Neither of you have to say anything because she continues before you can.

“And I have not overlooked your influence, my dear.” Grandmother’s cloudy eyes still manage to narrow in on you without difficulty. “Each day you have been here, you have solidified my knowledge that you were the perfect partner for my Dale. As you can see from the halls, traditions vary, but for you I knew we would want a portrait of you in your own right. Your parents were so understanding when I wrote to them.”

You turn in surprise to see them giving you a knowing smile. “We came to a most equitable arrangement. A copy of our most recent portrait of you,” you mother says with a pleased smile.

“In exchange for a copy of the portrait of you and your husband,” your father finishes. He nods to Bilmont and the steward obligingly reveals the portrait your parents had commissioned of you.

For a second, you’re concerned that they’ll have merely replicated the one of you at fifteen. You do not mind that portrait—you had been immensely proud of standing for it at the time under your own power and looking wonderfully adult to your young eyes—but even after your first return from school, you had been struck by how young and frail you’d looked in it.

This is a new portrait of you in a favored blue dress—not quite the vibrant Northridge blue nor Portsmith’s blue-gray, but somewhere in the middle. You’d worn it to a number of balls, including the one you first met Grandmother and Grandfather at. The painter must have attended a number of those galas because their skill in capturing your appearance is evident. You’d seen portraits painted that resembled the subjects very little and it was most common among those painted without formal sittings.

Your mother is saying something about the painter and his methods, as if hearing your thoughts, but you’re not really listening to her, you’re too busy studying the portrait.

The you in the painting is more flattering than the one you see most often in the mirror, today perhaps as an exception, but you can recognize yourself with ease. You are more clearly the age that you are now, a grown adult rather than a sickly child in the former painting. This you has thicker hair, less of your bones are prominent. You look less on edge and of course, your frame is fuller. Mother must have instructed the painter to give you a solidity you still don’t believe you have, always pushing for what she wants you to be rather than what you are. But it’s not egregious, even if there is more conviction in the set of this you’s jaw than you’ve ever truly felt. Again, except perhaps this morning when you sought out Dale to confront him. Overall, you find the expression pleasant, even if you think there’s something a bit off with your nose.

It’s the other details in the portrait that hold your attention. There’s a banner with the Northridge coat of arms behind you, but a book with Portsmith’s coat on the cover in our hands. The spine of the book is for a medicinal textbook, and the tea on the high table you're positioned next to even seems to steam. The vase is full of plants you recognize from your tea blends—and each of the flowers from your siblings’ namesakes are present as well.

“It’s lovely,” you say, glad your voice is soft enough that it doesn’t betray that you abruptly feel close to tears.

“You’re welcome,” your father says, with a comforting squeeze to your shoulder.

Soon, Grandmother quiets you all down for the final reveal. “Lastly, allow me to present the Lord and Lady of Northridge.”

Dale’s outfit, his black suit and red waistcoat is so obviously one the original Dale wore, although to be honest, this Dale is drawn to bold colors too. You’re in your white and blue with black accents Northridge dress. The two of you are posed in front of the large windows in the south hall, the ones that lead to the gardens. The clothes and the pose are of the past, but the expressions are clearly from recent sittings. So is the way you’re turned toward each other, not dramatically, but more than before. You look together instead of just standing next to each other. Even Dale’s greater presence and more forward position has been rendered far more protective than attention-seeking.

The signet rings of Northridge glitter on your fingers in the painting, even though you’d not put them on until a few minutes ago. You look married in that portrait and it helps solidify in your mind that you are.

Dale reaches over to clasp your hand in his and you smile up at him, proud to be here, in this moment, with him.

-/-

In the end, the wedding luncheon is remarkably similar to the other galas and balls that you’ve been hosting for the past few weeks, baring the high sun. You make it through being announced without tripping. You make small talk with everyone who wants to—which is everyone. You manage a few additional moments with your family. You’re grateful your dancing is with limited partners as it’s considered ill luck for the newly weds to dance with any other than each other or their immediate families.

Unusually it drags as time passes, until it is time to leave at which point you feel as if only a few moments have passed since you entered. As the married couple, you do not have to stay hosting until late in the night this time. You’ve never felt as if you were sneaking away, as if you were getting away with shirking your duties, while such a large group sees you off. It’s very peculiar.

The other servants and your packed belongings likely left over an hour ago. Only your personal servants are leaving at the same time. You find yourself outside, bidding goodbye to your family, as you stand in front of your carriage with a suddenness that almost makes you dizzy.

Then Dale is holding out a hand for you, which you take, allowing him to help you into the carriage. You carefully adjust your skirts before and after you sit down on the comfortable plush bench. A carriage for two, only a few trunks sit opposite you giving more ample room for legs and skirts. You make space on your left for Dale and he soon joins you, folding himself into a seating position as soon as he can so as not to bump his head on the ceiling.

“Are you settled, my spouse?” he asks as the door shuts. He pulls up the window nearly as quickly so as to ensure the air does not get stifling.

You wonder if you’ll ever get tired of hearing him call you that. Somehow you don’t think you will. “Yes, I’m comfortable.”

“Lovely,” he replies, giving a quick smile which flashes the whites of his sharp teeth. He leans forward to wave cheerily at Grandmother before he knocks on the front wood separating yourselves from the driver and footman.

It only takes a minute for the driver to set the horses off and you pull away from Northridge estate to the sound of falling grain thrown by guests before they return to enjoying the festivities without you.

You do your best to wave goodbye to your family, but looking out the window for too long begins to upset your stomach. They’re out of sight before long as it is.

You settle back down in your seat and try to orient yourself, catching your breath in practice if not necessity.

“Water?” Dale offers, holding out a flask and wiping the back of his mouth with his free hand to indicate he’d just taken a sip himself.

You take the flask gratefully and drink some water to clear your mouth and throat. You pass it back to him with murmured thanks. The silence, the first in hours, fills the carriage.

Dale is the one who breaks it. He reaches for the basket on top and pulls out an apple. “I had them pack some foodstuff for us, given you tend not to eat much at these events—”

“And you are nearly always hungry,” you finish, accepting a grape. A mix of embarrassed and flattered that he knows you so well.

“Quite,” Dale says with a crooked smile.

You get caught in his gaze, like you haven’t since the very beginning. Perhaps instead of you becoming accustomed to it yourself, Dale had merely gotten better at controlling the way his presence could reel you in. Perhaps he isn’t trying so hard now that he knows that you know. Now that you’re finally alone.

“So I suppose we should—” Dale is cut off by a loud bark of laughter from the front of the carriage. Whoever made the sound, driver or footman, is quick to shut their mouth, but the reminder is well served. Dale smiles apologetically. “We should talk once we arrive at the lodge of any matters of import, perhaps not now.”

“No, you’re correct,” you sigh, feeling the day’s events weighing strongly on you. You adjust your seat, grateful you had insisted on Grandmother storing your veil for you here and not taking it on your travels. Your neck bends at an awkward angle when you try to rest it against the inner frame. A bump in the road, still being worked on, causes you to sit straighter and give up on the idea of leaning against the carriage side.

“We can speak of other matters,” you say, though you’d actually like little more than to stop talking and nap. The day had begun so much earlier than usual, in order for you to be ready before the mid-morning ceremony, and had been so busy that you’re exhausted.

“Of course,” Dale says. “We’ll have an entire week at the lodge, before we go on to Riverton. It’s been many years since, em, I’ve been there, but it’s an industrious city, with a river that has hopefully enough water for you to feel at home…”

You listen as Dale elaborates on some specific memories he has of the city, more than the names of officials, and where you would visit as discussed with Grandmother and Grandfather. He isn’t explicit, in case either servant up front can hear, but you can read between the lines far more easily now that he isn’t pretending these are his own memories. He’s careful to keep his voice lower to minimize the others' hearing, but loud enough for you to pick out above the clatter of the carriage on the road.

The overall effect is soothing and comfortable. It’s easy to close your eyes, to sway a little in your seat. Dale’s hand ends up in your lap at some point, and your hands cover it without remembering having done so. The day hadn’t been overwhelmingly hot, but it's warm and you’re so tired. Not just from today, but from the whole past month. From before that when you were anxious to meet the original Dale and dealing with him once you had. From the weeks and months spent searching for a spouse. It all seems to be catching up with you at once.

You drift off with the motion of the carriage, and the sound of Dale’s voice in your ear, his strength and presence comfortingly close by.

[Part Thirty-Three]

#my writing #story: nothing's wrong with dale #story part #nothing's wrong with dale #terato #exophilia #monster romance #osha compliance #arrange marriage #slow burn #monster bf #reader #finally done with this chapter #idk where yesterday and the day before went #glad today is a late start #need to practice my presentation now #hope you like it!

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phoenixcatch7 · 4 months ago

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Just finished oracle of ages!!! Good game, good game. I have Thoughts.

I actually really enjoyed the story and characters! I figured going into the oracle games that it'd be a simple, cliché story, not much nuance or depth, and with Seasons that's basically what I got: din gets fridged in a crystal at the start of the game -> go get her -> you need a set of maguffins to do so -> fight big monster.

Admittedly it was the first game, which meant less story, but even if I hadn't linked (heh) the games for extra end game content Ages just did so much more.

Unlike din, naryu has someone else willing to help her. Ralph (the twinkiest twink to ever twink) was a young man who was her devoted friend (there was a weird crush triangle thing going on with him, Link and naryu, I always felt like I was missing subtext) and, spoilers for a 20yo game?? I guess?

He was the dethroned descendant of the ancient queen Ami. His family definitely still have big money though. He was pretty clearly supposed to be a comic relief character with a twist, but I ended up really liking him! He was over enthusiastic and over confident, but not unintelligent, a decent swordsman (I think) who was incredibly loyal to his friends and held some deep rooted responsibility for the people his family used to rule. Kind, determined, good with kids and people in general, he was terrified but willing to sacrifice his very existence to save the people.

The world building was also great! I don't think I've ever played a zelda game without gorons, but hylians were in short supply. To be expected outside of hyrule, I guess? Anyway, there were also lizard people on an island (tokay!) whose entire deal was.. A bit outdated? Rude, brazen and aggressive to outsiders, they lived in crude huts, worshipped things they didn't quite understand and were generally the old Hollywood stereotype of an isolated jungle tribe.

There was also, like, zora racism? There's a zora village underwater, and one of them was like 'us sea zora are nothing like those river zora 😒' which handily solved both my question of if the river/ocean zora divide was canon or fanon and the relationships between the two. Are they even the same species?? It just makes the rito even weirder but hey lmao. In all honesty I was pretty sick of the river zora at that point too, I swear there were two of them popping up in every screen that had even a sliver of water deeper than the knees and they CONSTANTLY shot fireballs istg they were such a pain. They were literally everywhere and so hard to kill.

On the plus side mermaid suit ^u^!! A dungeon item (the mermaids cave), the item had a desc like 'the skin of the mythical beast' which raised SO many more questions than it answered. The zora were delighted to see a young mermaid! The use of 'maid' implied either a) the zora all thought link was a girl and he didn't correct them (eyo genderqueer androgeny) b) the zora don't subscribe to gender the way humans do (eyo genderqueer androgeny) or c) all fish people look like mermaids regardless of their specific gender (eyo genderqueer androgeny). It literally could have been all three who knows. Maybe one day we'll actually meet a mermaid in zelda.

Also, there's a mini game in Seasons, which I played first, the subrosian dance. It's a pretty popular part of their culture, it's got music, it's got professional dancers. In Ages, you find the gorons doing the exact same dance! Rosa, a subrosian performer you meet in Seasons, is also there, saying her people's dance is better (tbf it is), but if you go to the past you'll find the gorons actually invented the dance first, as part of their love of games and entertainment, and you can talk to two subrosians who are talking about bringing the dance home! It's so interesting to see little details like this, where the travelling subrosians visited their fellow cave dweller lava eating people centuries ago, brought it back home where it exploded in popularity and centuries later became refined as a whole folk dance with spinning and everything, with the people forgetting where it came from, where the gorons keep their dance exactly the same (having to do a rhythm game without rhythm is hard).

Actually, there was so much political fantasy drama going on in the past?? Like, you've got the childless queen taking care of her people, a budding village and a few more settlements across the kingdom. Early in her reign she tried to build a tower to act as a beacon to her fiancé lost at sea, which is a romance story all on its own, but it was cut short (maybe because of funding?). Centuries in the future, it's just ruins. You've got people living on an ACTIVE VOLCANO starting a symmetry cult around a artifact called 'tuni nut' which, presumably, stabilises the volcano? And it's entirely cut off from the outside world. The goron elder is crushed under rocks and their economy is failing. The zora king got poisoned and he's about to die without an heir because a witch turned the fairy queen into an octorock, but the man in charge of the only cure refuses to hand it over until someone passes his tests.

Most of it is solved relatively easily by link and a copious amount of time travel, but the thing with the ruling queen only gets worse. When the evil witch invades the kingdom, she possesses the oracle of ages, naryu (who's a little implied to be the Actual Creation Goddess Naryu reincarnated) and travels back to the past to bring about an age of despair in the present. She does this by slipping into the royal court and befriending the queen as a serving girl, rising up the ranks to become her closest advisor and corrupting her (pretty sure mind control magic is used a li'l). She convinces her to restart the black tower project, pouring all of her and the towns resources into it - forcibly conscripting every able bodied worker and working them to the bone, all while monsters start to circle the tower. With all the fear and resentment, it quickly becomes a beacon of dark energy, a perfect focal point to perform black magics.

Link (and Ralph) end up in the past and get hauled in front of the queen, with possessed naryu at her side, who basically jeers at them and ensures the queen won't listen to their untrustworthy lies. The townsfolk are getting increasingly stressed as their village fills with rubble and their men are worked to the point of collapse. Armed guards start to appear to keep the workers under control. Eventually, Ralph uncovers a hole in the guard rotation, and he and link sneak into the palace through a secret entrance Ralph oh so casually knows about. Link and naryu fight, but with stupendous timing the queen walks in to see naryu collapsed on the floor, Link standing over her with a sword. She calls for the guards, but before anyone can react, the witch, banished form her first vessel, leaps into the queen herself instead. Ralph shoves past the arriving guards and into naryus arms, while link moves in from of them. The queen orders the guards to attack, but naryu, reawakened, pulls them back to the present in the nick of time. In the present, the black tower is magically growing, reaching higher and higher into the sky, terrifying the people of the city.

Then! Ralph, who at this point is suspiciously invested now his actual goal is completed and naryu is safe, vows to go back into time again, away from naryu, to live under the now evil queen and bring protection and comfort to the villagers as a direct act of resistance, because the witch is feeding on their sorrow to power an unknown ritual (link knows. Link, canonically, has told nobody). So this teen in fancy robes and cape goes back to the oppressed, poverty stricken town under the thumb if someone who wants him dead and lives there for weeks if not months dedicating himself to supporting the village and bringing people's hopes and spirits back up, presumably while living out of someone else's wooden hut. In the middle of a literal depression inducing miasma that's sapping everyone's joy and will to live.

That just. Takes insane strength of character. That's a feat of pure, distilled, compassion as anarchy.

Link's off bouncing between past and present doing dungeons and solving easier issues through either sword or magic item, but Ralph is out here doing the long hard slog for little reward.

Link finally returns to the black tower completed, affecting even the people of the present, and, preparations complete, rushes to the past. Ralph is nowhere be seen. Talking to the villagers reveals several have a crush on him, but an old man saw him running for the tower, sword drawn. There's a man pacing by the entrance, who saw the kid run in, tried to stop him. He said Ralph said that he no longer cared what happened to him. That the man realised that Ralph had quietly succumbed to the same curse of despair they all were under. Link fights his way up to the top of the tower, where Ralph confronts the evil queen, sword at her heart, but every step she takes into it, he steps back. The witch laughs. She asks him if he's really willing to write himself out of existence - being the queens descendant, and all. Ralph leaps back, into links chest. He's shaking and stuttering, but he lunges, and is knocked out in one blow. The queen now asks link the same question: is he willing to erase Ralph? If he strikes her, kills her, the queen will die, childless, and he will never live. She leaves, and link rushes to Ralph. He's awake but unresponsive, defeated. With a heavy heart, Link leaves him to chase the queen. It's naryu who finds him, brings him out of the tower.

When the witch is defeated, the curse is lifted, and Ralph is once more energetic and kind. He's a little quieter now, though, sticking close to naryu. For all he was a loud and headstrong kid, I gotta say I was very impressed.

He would have made a good king.

#This started out as a general overview of ooa/oos but quickly devolved into a story about a side character #His side story was a better character arc than totks entire main plot fr #Like I didn't think much of him at first but he really grew on me #There's also the fact that Ralph's existence proves that Ami did eventually get the romance she deserved #But whether the fiance one day returned thanks to the finished tower lighthouse or if she one day remarried I don't know #I like the former option though. A happy ending from all the heartbreak and sorrow #loz #legend of zelda #loz link #loz ooa #loz oos #oracle of ages #oracle of seasons #ooa ralph #loz ralph #Unrelated but I think the oracle games are better than lttp just. Gameplay wise #Like the graphics and frame rate and colour pallet was much worse but it's so much better made #The dialogue is smoother the area transitions are cohesive the maps are a MILLION times better the sprites are easier to read #Playing lttp now so.#In oos/ooa you could change the text speed and in lttp it's so sloooooowwwww #tloz #long post #the legend of zelda

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